This is a Artwork in Original Painted Colors of Robert Mihaly?s original oil painting Fountain Reflections, 2025
The approach through Sarah P. Duke Gardens leads the eye to the iconic crane fountain, now alive in the vibrant hues of the original oil palette. The long-necked birds, graceful and monogamous, appear amid sparkling sprays of water, each droplet catching the sunlight in bright highlights. Shades of deep blues, crisp whites, and subtle greens in the water and foliage provide contrast to the warm, golden touches of sunlight, creating a dynamic interplay of light, shadow, and reflection. The fountain, donated by Ann Roney in 1897 to Trinity College and lovingly restored in 2011, resumes its role as both a historical artifact and a theater of lively, joyful motion.
A small couple stands arm in arm in the background, gazing at the fountains. Their figures, softly illuminated by the sun, bring a human warmth to the scene, quietly echoing the romantic energy of the dancing cranes. Children?s coins ripple across the water, catching glints of color from both the fountain and the reflections, adding playful, fleeting moments of life that animate the composition.
In the original colors, the painting captures the fountain?s drama and poetry with fullness and vibrancy. Each feather, each droplet, and each reflection holds a moment suspended in time, celebrating the flow of life and the quiet beauty of shared experience. The juxtaposition of human presence and the natural elegance of the fountain underscores the harmony of the setting?a space where history, artistry, and everyday wonder converge.
| Attributes | Value |
|---|---|
| Artwork Type |
Paper Print, Unframed Canvas Reproduction, Framed Canvas Reproduction, Original Oil on Canvas |
| Size | |
| Hand-Brushed Texture |
No, Yes |
| Frame Design |
3 1/4" Copper Wood Frame, 3" Plein Air Gold Frame, 2 7/8" Driftwood White Frame, 2 9/16" Plein Air Espresso Frame, Black with Gold Frame, Gold Floating Frame, Black Floating Frame, Silver Floating Frame, White Floating Frame, No Frame |